SPACES AND EXCHANGES BANKSY
BANKSY - QUOTES
QUOTATIONS BY BANKSY
"Those who run our cities do not understand graffiti because they think nothing has the right to exixt unless it generates profit"
While his true identity remains a mystery, Banksy’s work continues to make the headlines, most recently for a series of murals that appeared overnight across parts of Paris. In many ways, Banksy’s subversive style helped foster new initiatives and public art interventions across the globe.

BANKSY VIDEO PRESENTING HIS RESIDENCY IN NYC
https://www.youtube.com/watch?v=JOvw0YA6eAY
Banksy : photo of
an artwork by Banksy which can be seen in Brooklyn: Japanese Ladies
This piece represents 2 Japanese women on a
bridge wearing a kimono, carrying a fan), there is also a small bonsai at the bottom. it’s a stencil. The graffiti
was done on a wall in Brooklyn. This artwork triggered various reactions: we
saw a picture of a rival graffiti artist
trying to deface the work, he spray
painted squiggles over the 2 feminine figures. He may have been jealous or
maybe he hated Banksy’s work. Several other graffiti artists reacted
negatively, because they considered that Banksy was trespassing and invading
their turf, their territory. At the same time, there are 2 men who intervene
and try to stop the artist from vandalising the piece.
After that, the owner of the building decided
to protect/preserve Banksy’s work and he put some plexiglass over it and
installed a metal shutter to protect it at night. There is also a man who is
guarding the piece. Now people come and take pictures of it. Someone even
offered the owner of the building a million dollars to take down the bricks in
the wall but he refused (he turned down the offer). Banksy’s pieces are worth
tens of thousands of dollars (at auction sales). On the pictures we studied,
someone had written “value is arbitrary” next to the graffiti. This sort of
thing would not be possible in a museum.
Street art promotes exchanges for better or for worse.
The Twin Towers (the
World Trade Center)
A graffiti located in Lower Manhattan: it
represents the twin towers, it’s a very small piece done at the bottom of a
wall covered with other graffiti. What makes the piece striking is the red
flower that Banksy stuck the top of one of the buildings. It’s a real flower.
It symbolises the explosion, the moment when the plane hit the tower. It is
also a way to pay tribute to all the victims of 9/11. This piece attracted a
lot of attention. People flocked to see it and take pictures. Others added
comments, people put lighted candles and flowers on the sidewalk. So this
artwork really triggered all kinds of reactions. There is even a man who came
every day to put a fresh flower on the drawing. Later it was painted over, so
now it is gone (it doesn’t exist anymore), like most street art, it is
ephemeral, short-lived.
Banksy :
photo of an artwork by Banksy which can be seen in the Bronx
Space - street setting: a brick wall, a metal shutter, an old sofa
an underprivileged neighbourhood
on the wall: a stencil: a butler wearing white gloves is holding a tray
with spay cans on it, he is waiting on a little boy (his master) from a
wealthy/affluent family – the child has spray painted the words Ghetto4life on
the wall,
On the picture we can see man who presumably lives in the area
is posing in front of the artwork which is valuable as it was done by a
world-famous street artist: his presence adds to the irony of the piece. He is
the one who will probably be in the ghetto for life.
On the other hand, this piece is like a gift from the artist to a
neighbourhood that could never afford his artwork (it fetches hundreds of
thousands of dollars at auction sales). Thanks to the artist, the world of the
privileged and the world of the underprivileged exist in the same space. In
addition, the piece attracted many people to the neighbourhood, so they
explored a place they would never have visited otherwise, In reality they are worlds apart. Artists like
Banksy promote exchanges by investing public spaces (the street = a huge
canvas, an open air museum.)
But, given his fame, his work is sometimes treated differently from
other works by less famouns graffiti artists. Now, the piece in the Bronx is
protected by plexiglass and by a roll down metal shutter. So the question is:
is it still street art?
the Bronx, on October 21, 2013 – a tray (plateau) – a butler (majordome) –
spray cans – white gloves – – to spray-paint –
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